Indian Classical Vocalist

Avinash Mishra | Indian Vocalist | Viram Gurukul

What is Indian Classical Vocalist?

Indian Classical Vocalist is a great Career option. Internet is brimming with pages on How to get into Indian Classical Vocalist, while one should first understand What is a Career in Indian Classical Vocalist. Just like you would normally not trust a non Doctor with names of medicines, you should also not trust opinions about Indian Classical Vocalist from non professionals.

Indian Vocalist Avinash Mishra is an experienced professional with 10 years & 1 month in Indian Classical Vocalist. Indian Vocalist Avinash Mishra describes Indian Classical Vocalist as:

It is the art of classical singing where we can perform a rag with particular notes like : sa re ga ma pa da ni sa and we have lots of thigs like thumeri , kajri , bhajan etc.

How Indian Vocalist Avinash Mishra got into Indian Classical Vocalist?

I started learning music when I was 4 years old from my great grandfather Late Pandit Hanuman Prasad Mishra Ji. I have performed in Harsh Utsav in 2008 and I have also performed for few schools and recently I taught music at DPS Dehradun for their Annual function. I love to write and compose. I have composed few music like tarana in Rag jog. I have been teaching vocal at Viram Gurukul (its gurukul of Pandit Rajan Sajan Mishra Ji.) since 2007.

Indian Vocalist Avinash Mishra's Talk on Indian Classical Vocalist

The Journey of Indian Classical Vocalist What Is Indian Classical Vocalist Indian Classical Vocalist An Indian Classical Vocalist is a trained musician who specializes in performing, interpreting, and teaching the traditional vocal music forms of India, such as Hindustani or Carnatic music. This career involves mastering intricate ragas, complex rhythms, and expressive improvisation, often performing solo or with accompanists in concerts and festivals. The role of an Indian Classical Vocalist is significant in preserving and propagating India’s rich musical heritage. These artists serve as cultural ambassadors, inspiring audiences and students alike through their performances and teachings. The profession offers the benefit of deep artistic fulfillment, as vocalists engage in lifelong learning and creative expression. It also provides opportunities for national and international recognition, allowing artists to perform on prestigious platforms and collaborate with other musicians. Additionally, Indian Classical Vocalists contribute to the continuity of tradition by mentoring the next generation, ensuring that the nuances of this ancient art form are passed down and remain vibrant in contemporary society. A professional Indian Classical Vocalist might begin their day with rigorous practice, refining their command over specific ragas and compositions. Later, they could conduct a workshop for aspiring students, demonstrating the subtle techniques of voice modulation and improvisation. In the evening, the vocalist may perform at a cultural festival, captivating the audience with a soulful rendition of a raga, accompanied by tabla and harmonium. Through these activities, the vocalist not only hones their own skills but also educates listeners and students about the depth and beauty of Indian classical music, fostering appreciation and understanding within the community. Education Basic Notes Basic Notes, known as "Swaras," are the fundamental musical sounds or pitches that form the building blocks of Indian classical music. Mastery of these notes is essential for vocalists, as they underpin the structure, melody, and improvisational aspects of every raga and composition within the tradition. Understanding Basic Notes is crucial for anyone aspiring to become an Indian Classical Vocalist because it establishes the very foundation upon which all further musical knowledge is built. The ability to accurately identify, reproduce, and manipulate these notes is essential for learning ragas, developing improvisational skills, and achieving precise intonation. Mastery of Basic Notes enhances a vocalist’s confidence and versatility, enabling them to interpret complex compositions and collaborate effectively with other musicians. Over the course of a career, this foundational knowledge supports ongoing learning, adaptation to new styles, and the ability to teach or mentor others. Ultimately, a deep grasp of Basic Notes ensures a vocalist’s credibility and success in both academic and professional settings. Consider a professional Indian Classical Vocalist preparing for a live performance. Before the concert, the vocalist spends time practicing the Basic Notes to ensure their voice is perfectly aligned with the chosen scale and raga. During the performance, the vocalist’s understanding of Basic Notes allows them to maintain pitch accuracy, transition smoothly between notes, and improvise with confidence. When collaborating with instrumentalists, the vocalist relies on this foundational knowledge to synchronize with accompanying musicians, ensuring harmonious renditions. Even when teaching students or conducting workshops, the vocalist draws upon their expertise in Basic Notes to demonstrate correct techniques and guide learners in developing their own musical abilities. This daily application highlights the indispensable role of Basic Notes in the life of a professional vocalist. Ragas Ragas are melodic frameworks in Indian classical music, each defined by specific sequences of notes, characteristic phrases, and emotional expressions. They serve as the foundation for improvisation and composition, guiding vocalists in creating music that evokes particular moods. Mastery of ragas is essential for academic and professional excellence in this field. Understanding ragas is fundamental for anyone aspiring to become an Indian classical vocalist. Ragas form the very language of Indian classical music, shaping how artists interpret, improvise, and perform. A deep knowledge of ragas allows vocalists to explore a vast repertoire, communicate nuanced emotions, and maintain the authenticity of traditional compositions. This expertise is not only crucial for live performances but also for teaching, composing, and collaborating with other musicians. Over time, a strong grasp of ragas enhances a vocalist’s versatility, creativity, and reputation, opening doors to prestigious opportunities in concerts, recordings, and academic roles. Ultimately, proficiency in ragas ensures a sustainable and respected career in the world of Indian classical music. Imagine a professional Indian classical vocalist preparing for a concert where the audience expects an evocative evening raga. Drawing from their theoretical understanding, the vocalist selects Raga Yaman, known for its serene and romantic mood. During the performance, they skillfully improvise within the raga’s structure, weaving intricate patterns and emotive phrases that captivate listeners. Their command over the raga’s rules and nuances allows them to maintain its integrity while expressing their unique artistry. This ability to seamlessly blend theory with practice not only elevates the performance but also reinforces the vocalist’s credibility and connection with the audience, demonstrating the indispensable role of raga mastery in their daily professional life. Timing of Practice Timing of Practice refers to the deliberate selection of specific periods during the day or night for vocal training, based on the natural rhythms and traditions of Indian classical music. This concept is essential for vocalists, as it aligns their practice with the optimal times for particular ragas, enhancing learning and performance quality. Understanding the timing of practice is crucial for anyone aspiring to excel as an Indian Classical Vocalist. The tradition emphasizes that certain ragas are best practiced and performed at specific times of the day, as their emotional and tonal qualities resonate more deeply with the natural environment and the human psyche during those periods. Mastery of this knowledge not only preserves the authenticity of the art form but also aids in the vocalist’s technical and expressive growth. Over time, this disciplined approach cultivates a deeper connection to the music, improves vocal stamina, and enhances the ability to evoke the intended mood in performances, thereby establishing a strong professional reputation and opening doors to advanced learning and performance opportunities. Consider a professional Indian Classical Vocalist preparing for a morning concert featuring ragas traditionally associated with dawn, such as Bhairav. Drawing from their understanding of timing of practice, the vocalist schedules their daily riyaaz in the early hours, when the mind is calm and the atmosphere is conducive to the raga’s serene mood. This alignment not only refines their technical execution but also attunes their voice and emotional expression to the unique qualities of the raga. As a result, when performing before an audience, the vocalist delivers an authentic and impactful rendition, demonstrating both respect for tradition and mastery of their craft. This practice routine becomes an integral part of their professional discipline and artistic identity. Finding a Mentor Finding a Mentor refers to the process of seeking, identifying, and building a relationship with an experienced guide who provides personalized instruction, feedback, and support. In Indian Classical Vocal music, this is essential, as the tradition relies heavily on the guru-shishya parampara, shaping both academic learning and professional artistry. Understanding how to find a mentor is fundamental for anyone pursuing a career as an Indian Classical Vocalist. The art form is deeply rooted in oral transmission, where nuanced techniques, improvisational skills, and the emotional depth of ragas are best learned under the guidance of a seasoned guru. A mentor not only imparts technical knowledge but also instills discipline, performance etiquette, and an appreciation for the cultural and historical context of the music. Over time, this relationship fosters artistic growth, confidence, and a unique musical identity. For professionals, having a mentor ensures continuous learning, critical feedback, and networking opportunities, all of which are crucial for long-term success and recognition in the highly competitive world of Indian Classical music. Consider a young vocalist who has mastered basic ragas and seeks to refine their performance skills. By applying their understanding of finding a mentor, they approach a respected maestro, demonstrating commitment and humility. Through regular lessons, the mentor identifies subtle areas for improvement, such as voice modulation and intricate taan patterns. The mentor also introduces the student to advanced compositions and encourages participation in music conferences and baithaks. This ongoing mentorship not only elevates the vocalist’s technical prowess but also provides invaluable insights into stage presence and audience engagement. As a result, the vocalist gradually builds a reputation, gains confidence, and develops a distinct artistic style, all rooted in the foundational guidance of their mentor. Skills Vocal Dynamics Vocal Dynamics refers to the nuanced control of volume, intensity, tone, and emotional expression in singing. In Indian Classical Vocal music, it enables the artist to convey intricate emotions, highlight subtle musical phrases, and maintain listener engagement. Mastery of vocal dynamics distinguishes a skilled vocalist from an average performer. Vocal dynamics directly enhance a vocalist’s performance by allowing expressive storytelling and emotional depth, which are central to Indian Classical music. Audiences and employers value this skill because it transforms technical proficiency into a captivating experience, making each rendition unique and memorable. Cultivating vocal dynamics requires consistent practice, attentive listening to maestros, and feedback from mentors. Over time, vocalists learn to modulate their voice to suit different ragas, moods, and performance settings. This adaptability not only impresses listeners but also demonstrates the artist’s command over their instrument, increasing their demand for concerts, recordings, and collaborations. Imagine a vocalist performing a late-night raga during a prestigious music festival. Mid-performance, the audience becomes restless due to the late hour. Sensing this, the vocalist employs vocal dynamics—softening their voice for introspective alaaps, then gradually building intensity during the faster taans. This dynamic modulation recaptures the audience’s attention, drawing them into the emotional journey of the raga. By skillfully adjusting volume and expression, the vocalist not only overcomes the challenge of a distracted audience but also delivers a memorable performance that earns critical acclaim and new opportunities. Vocal dynamics, in this scenario, prove essential for both artistic impact and professional success. Breath Control Breath control refers to the conscious regulation and management of inhalation and exhalation to optimize vocal output, sustain long musical phrases, and maintain tonal quality. For an Indian Classical Vocalist, breath control is fundamental, enabling precise execution of intricate ragas, dynamic modulation, and emotional expression throughout demanding performances. Mastering breath control significantly enhances a vocalist’s ability to deliver seamless, uninterrupted musical phrases, which are a hallmark of Indian classical music. This skill allows for greater command over pitch, volume, and timbre, ensuring that each note is rendered with clarity and emotional depth. Clients and employers highly value vocalists who exhibit superior breath control, as it reflects rigorous training, professionalism, and the capacity to handle complex compositions. Cultivating this skill involves consistent practice of pranayama (yogic breathing exercises), slow and deliberate singing of alankars (musical patterns), and mindful attention to posture and diaphragm engagement. Over time, these practices build the stamina and control necessary for extended performances and challenging improvisations. Imagine a vocalist performing an elaborate alap in Raag Yaman during a prestigious concert. The alap demands long, fluid phrases and subtle ornamentations that require the singer to sustain notes and transition smoothly between pitches. Midway through the performance, the vocalist encounters an unexpected moment where the phrase extends beyond their usual breath capacity. Drawing on years of breath control training, the singer manages their inhalation discreetly, maintains the melodic flow, and delivers the phrase with unwavering stability. The audience remains captivated, unaware of the challenge, and the performance is lauded for its effortless grace and technical mastery. This scenario highlights how breath control is not just a technical skill, but a vital asset in achieving artistic excellence and overcoming real-time challenges. Able to Listen yourself "Able to Listen yourself" means possessing the conscious ability to attentively hear and evaluate your own voice, tone, pitch, and expression while performing or practicing. For an Indian Classical Vocalist, this skill is fundamental, as it enables continuous self-assessment, correction, and refinement, ensuring authenticity and precision in every rendition. The ability to listen to oneself is a cornerstone of mastery in Indian classical music. When vocalists actively monitor their own singing, they can immediately identify deviations in pitch, rhythm, or emotional expression, leading to more accurate and expressive performances. Clients, audiences, and employers deeply value this skill because it reflects a commitment to excellence and self-improvement, ensuring that every performance meets high artistic standards. Cultivating this skill requires regular practice with focused attention, recording and reviewing performances, and seeking feedback from mentors. Over time, this habit becomes second nature, allowing vocalists to make real-time adjustments and maintain the integrity of complex ragas and compositions. Imagine an Indian Classical Vocalist performing at a prestigious music festival. During an intricate alap, the vocalist senses a subtle drift in pitch. Because they are adept at listening to themselves, they immediately recognize the issue and adjust their voice, seamlessly returning to the correct note without disrupting the flow of the performance. This self-awareness not only prevents a potential lapse in musical quality but also enhances the audience’s experience, showcasing the vocalist’s professionalism and mastery. In such high-stakes situations, the ability to listen to oneself transforms challenges into opportunities for excellence, reinforcing the vocalist’s reputation and confidence on stage. Patience and Concentration Patience and concentration refer to the ability to remain calm, focused, and persistent over extended periods, especially when mastering complex skills or facing challenges. For an Indian Classical Vocalist, these qualities are crucial for perfecting intricate ragas, maintaining discipline during rigorous practice, and delivering emotionally resonant performances. Patience and concentration are indispensable for Indian Classical Vocalists because the art form demands years of dedicated practice and unwavering focus. Mastery of ragas, taals, and improvisational techniques requires repeated, mindful rehearsal, often under the guidance of a guru. Clients and employers value these qualities as they ensure reliability, consistency, and the ability to perform under pressure. A vocalist who demonstrates patience can steadily progress through setbacks, while concentration allows for deep immersion in music, resulting in nuanced and expressive renditions. Cultivating these skills involves regular meditation, disciplined practice routines, and a conscious effort to minimize distractions, all of which help sustain motivation and foster artistic growth over time. Imagine an Indian Classical Vocalist preparing for a prestigious concert where a rare and complex raga is to be performed. During rehearsals, the vocalist encounters difficulties in mastering certain improvisational phrases and maintaining the raga’s purity. Instead of becoming frustrated or rushing through practice, the vocalist relies on patience to revisit challenging sections repeatedly and uses concentration to internalize subtle nuances. On the day of the performance, this disciplined approach enables the artist to deliver a flawless and emotionally powerful rendition, earning admiration from both the audience and fellow musicians. In this scenario, patience and concentration prove vital in overcoming obstacles and achieving artistic excellence. Positives Inner Peace Inner peace is a state of calmness, emotional balance, and mental clarity that arises from within, regardless of external circumstances. It is the quiet confidence and contentment that allows individuals to remain centered and focused. For Indian Classical Vocalists, inner peace nurtures creativity, enhances performance, and fosters a deep connection with their art. The pursuit of inner peace is a cornerstone of fulfillment for Indian Classical Vocalists. This sense of tranquility allows artists to immerse themselves fully in their music, transcending everyday stress and distractions. As they practice and perform, the meditative nature of raga and rhythm cultivates mindfulness, helping vocalists to remain present and emotionally resilient. This inner harmony not only boosts job satisfaction but also fuels artistic growth, as musicians are able to explore their craft with greater depth and authenticity. Each day, professionals experience the soothing effects of their practice, finding joy and meaning in the act of singing, which in turn radiates positivity to their audience and community. Imagine a seasoned Indian Classical Vocalist preparing for a major concert. Amidst the pressures of expectation and the bustle of the event, she retreats into her practice room, closing her eyes and letting the first notes of a morning raga flow. As her voice resonates, she feels a profound sense of calm enveloping her, dissolving anxiety and self-doubt. The intricate patterns of melody and rhythm become a meditative journey, grounding her in the present moment. By the time she steps onto the stage, she carries this inner peace with her, allowing her performance to be both technically brilliant and emotionally moving. This experience of tranquility and fulfillment is a daily gift that sustains her passion for the art. Fame Fame is the widespread recognition and admiration received from the public and peers for exceptional talent, achievements, and contributions. It brings acknowledgment, respect, and influence, allowing individuals to inspire others and leave a lasting legacy. In the realm of Indian Classical Vocalists, fame elevates the artist’s status and opens new opportunities. Fame in the career of an Indian Classical Vocalist is a powerful motivator and a source of immense satisfaction. It validates years of rigorous training, dedication, and passion, providing a sense of accomplishment that fuels further artistic growth. As vocalists gain recognition, they attract larger audiences, receive invitations to prestigious festivals, and collaborate with renowned musicians. This visibility not only enhances their professional reputation but also increases their influence within the music community. The daily experience of being admired and respected by students, listeners, and fellow artists fosters a deep sense of pride and belonging. Ultimately, fame transforms the journey of a classical vocalist into a fulfilling and inspiring pursuit, where their art touches countless lives. Imagine a renowned Indian Classical Vocalist performing at a historic music festival, where the audience is captivated by every note. After the performance, the artist is approached by aspiring singers seeking guidance, and organizers invite them to headline future events. Media outlets request interviews, and their recordings trend across digital platforms. This widespread recognition not only boosts the vocalist’s confidence but also brings a sense of purpose, knowing their music resonates with so many. The fame they have earned opens doors to new collaborations and teaching opportunities, allowing them to shape the next generation of musicians. In this way, fame becomes a daily, tangible reward that enriches both their personal and professional life. Meeting Idols "Meeting Idols" refers to the unique opportunities Indian classical vocalists have to interact with, learn from, and perform alongside legendary artists they have admired for years. This experience fosters inspiration, deepens understanding of the art form, and creates lasting memories, making the journey profoundly meaningful and personally enriching. The chance to meet and interact with idols is a powerful motivator for Indian classical vocalists. It provides a sense of belonging to a revered tradition and offers firsthand exposure to the wisdom and artistry of masters. These encounters often lead to mentorship, constructive feedback, and invaluable networking opportunities, which can accelerate artistic growth and open doors to new collaborations. Daily, professionals draw inspiration from these experiences, fueling their passion and commitment to excellence. The joy of sharing a stage or even a conversation with an idol transforms routine practice into a journey of discovery, making the profession not just a job but a lifelong pursuit of artistic fulfillment. Imagine a young Indian classical vocalist who has admired a renowned maestro since childhood. After years of dedicated practice, she is invited to a prestigious music festival where her idol is the chief guest. Backstage, she nervously introduces herself, only to be warmly received and encouraged by the maestro. Later, during her performance, she notices her idol listening intently, offering a nod of approval. This moment becomes a turning point in her career, filling her with confidence and a renewed sense of purpose. The personal interaction and recognition from her idol not only validate her hard work but also inspire her to reach greater heights in her musical journey. Challenges Mental Fitness Mental fitness, for an Indian Classical Vocalist, refers to the sustained ability to maintain emotional balance, focus, and creative clarity amidst rigorous practice, performance pressures, and the pursuit of artistic excellence. This is demanding because it requires constant self-motivation, resilience against criticism, and the capacity to handle both solitude and public scrutiny. The challenge of mental fitness deeply influences the daily life of an Indian Classical Vocalist. Long hours of solitary riyaaz, the unpredictability of live performances, and the weight of upholding tradition can lead to anxiety, self-doubt, and creative fatigue. This environment demands exceptional resilience, as setbacks and criticism are inevitable. Successful vocalists often cultivate mindfulness, seek mentorship, and maintain a supportive peer network to navigate these pressures. They learn to embrace failures as learning opportunities and develop routines that balance discipline with rest. By fostering a positive mindset and prioritizing mental well-being, they sustain their passion and continue to grow artistically, even in the face of persistent challenges. Consider the journey of a young vocalist preparing for her debut at a prestigious music festival. In the weeks leading up to the performance, she experiences intense self-doubt and anxiety, fearing she might not meet the expectations of her gurus and audience. Recognizing these mental hurdles, she incorporates daily meditation and reflective journaling into her routine, allowing her to process emotions and regain focus. She also seeks guidance from her mentor, who shares personal stories of overcoming similar struggles. On the day of the performance, her mental preparation enables her to remain calm and present, delivering a soulful rendition that resonates with listeners. This experience strengthens her confidence and reinforces the importance of mental fitness in her artistic journey. Comparison with Idols Comparison with Idols refers to the tendency of aspiring Indian Classical Vocalists to measure their progress, style, and achievements against legendary maestros. This challenge is demanding because it can create unrealistic expectations, foster self-doubt, and overshadow individual growth, making it difficult for artists to appreciate their unique musical journey. The constant comparison with revered idols can deeply affect a vocalist’s daily practice and performance. It often leads to feelings of inadequacy, anxiety, and creative stagnation, as artists may feel pressured to emulate the perfection of their role models rather than develop their own voice. This challenge demands resilience because the path of Indian Classical music is inherently personal and evolving. Successful professionals manage this constraint by focusing on incremental progress, seeking guidance from mentors, and embracing their individuality. They learn to appreciate the value of their own interpretations while respecting the legacy of the greats, thus transforming comparison into inspiration rather than a source of discouragement. Consider a young vocalist who idolizes Kishori Amonkar and initially struggles with disappointment when her own renditions fall short of her idol’s emotive depth. Instead of succumbing to frustration, she consults her guru, who encourages her to analyze what makes Amonkar’s style unique and to identify her own strengths. Over time, she incorporates elements she admires while nurturing her personal expression, gradually earning recognition for her distinctive approach. By shifting her perspective from imitation to inspiration, she not only overcomes the burden of comparison but also carves out her own place in the tradition, demonstrating how this challenge can be managed with self-awareness and perseverance. A Day Of Indian Classical Vocalist The day of an Indian Classical Vocalist unfolds with a rhythm as intricate and soulful as the ragas they perform. Far from the confines of a traditional desk job, their workspace is a blend of serene solitude, vibrant collaboration, and the ever-present hum of creative discipline. Each moment is shaped by a deep reverence for tradition, a relentless pursuit of mastery, and the subtle interplay between personal expression and the expectations of a discerning audience. The pace ebbs and flows, from meditative mornings steeped in practice to evenings alive with performance or teaching, all set against the backdrop of a life devoted to the art of music. As the first light of dawn filters through, the Indian Classical Vocalist begins their day in quiet solitude. This early morning period is sacred, reserved for riyaaz—the disciplined, meditative practice of vocal exercises and improvisation. The world is still, allowing the vocalist to focus entirely on breath control, intricate taans, and the subtle nuances of a chosen raga. This is not just technical preparation; it is a spiritual ritual that centers the mind, hones the voice, and sets the tone for the day ahead. By mid-morning, the vocalist transitions into a phase of intense learning and engagement. This is often the time for lessons with a guru, either in person or virtually, where advanced techniques, rare compositions, and the finer points of interpretation are explored. The atmosphere is charged with concentration and respect, as the vocalist absorbs feedback, refines their style, and sometimes mentors junior students. This period is marked by a dynamic exchange of knowledge, pushing the boundaries of skill and artistry. The afternoon brings a shift towards collaboration and execution. The vocalist may join accompanists—such as tabla players or harmonium artists—for rehearsals, working through the structure and improvisational elements of upcoming performances. This is a time for synchronizing with fellow musicians, experimenting with tempo and mood, and ensuring that every element of the ensemble is in harmony. The energy is purposeful and interactive, blending individual artistry with collective creativity. As evening approaches, the focus turns to wrapping up the day’s work and preparing for what lies ahead. If there is a concert or recital, the vocalist enters a state of heightened readiness, engaging in final warm-ups and mental preparation before stepping onto the stage. After performances or teaching sessions, there is time for reflection—reviewing recordings, noting areas for improvement, and responding to feedback from audiences or students. The day concludes with administrative tasks such as scheduling, correspondence, and planning the next day’s practice, ensuring that the cycle of discipline and inspiration continues seamlessly.

Install the LifePage App to:

(for Free) Watch Indian Vocalist Avinash Mishra’s full Indian Classical Vocalist Career Talk

₹ Do a Self Assessment on Indian Classical Vocalist to calculate your Dream Index, which is defined as:

According to Avinash Mishra your chances of success in Indian Classical Vocalist is __%

Access your personalized Dream Index Report which will have all your Dream Indices sorted in descending order.

How to get into

Indian Classical Vocalist?

If you are want to get into Indian Classical Vocalist, start by investing in a Career Plan.

The 14 hour process, guided by a LifePage Career Advisor, will help you introspect and check whether your interest in Indian Classical Vocalist is merely an infatuation or is it truly something you wish to do for the rest of your life.

Next, your Career Advisor will help you document how you can get into Indian Classical Vocalist, what education and skills you need to succeed in Indian Classical Vocalist, and what positives and challenges you will face in Indian Classical Vocalist.

Finally, you will get a Career Plan stating which Courses, Certifications, Trainings and other Items you need to do in the next 7 years to become world’s best in Indian Classical Vocalist.

LifePage Career Plan

14 hour personalized guidance program

Your LifePage Career Advisor facilitates your guided introspection so that you systematically explore various Career options to arrive at a well thought out Career choice.

Next: your Advisor helps you figure out how you will get into your chosen Career and how will you develop the skills needed for success in your Chosen Career.

LifePage Plan will not stop at saying "to become an Architect study Architecture". It will guide you on which Certifications, Trainings and Other items you need to do along with your Architecture education to become the world's best Architect.

Links for this Talk

Indian Vocalist Avinash Mishra's LifePage:

[LifePage]
https://www.lifepage.in/page/avinashmishra

LifePage Career Talk on Indian Classical Vocalist

[Career]
https://www.lifepage.in/careers/indian-classical-vocalist

[Full Talk]
https://lifepage.app.link/20161220-0003

[Trailer]
https://www.youtube.com/watch?v=TokPMa9-k-o

(Indian Classical Vocalist, Avinash Mishra, Viram Gurukul, Vocal, Indian Music, Music, Classical Music, Vocalist)

Similar Talks

Professional Singing

Ravi Vishnariya
Singer | Various Creative Assignments

[ 4 years & 8 months Experience ]

Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist.

"I was interested in singing since my childhood and started practicing singing in the year 2014 at Saptak College of Performing Arts."

Country Music

Bobby Cash
Country Music Artist | Several Musical Assignments

[ 23 years & 3 months Experience ]

Country Music is a music of pioneers, early settlers & cowboys who settlers the American West in 90s. It’s the music that come from roots and Rural music that tells a story.

"I am an Indian country music singer, songwriter, guitarist and composer. I live in Dehradun City, I am India's first international country music artist who has charted singles in Australia, and also for being the only Indian country music artist to be featured in a documentary film,The Indian Cowboy...One in a Billion, aired on ABC Television (Australia) in January 2004 and on Discovery channel in India in June 2004."

Professional Singing

Sankalp Khetwal
Vocalist | Bhairavas Band

[ 4 years Experience ]

Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist.

"I have done Visharat in Indian Classical Music from Bhatkhande Sangeet Vidalaya. I was inclined towards music since childhood and took up music as profession. I participated in Rising Star, a singing show on Colors. I have been performing with Bhairavas Band as a vocalist since 2013."

Indian Classical Singing

Late Pt Rajan Mishra
Music Artist | Various Creative Music Assignments

[ 44 years & 8 months Experience ]

Indian Classical Music is an ancient form of music, its establishment was done taking in account of nature and human emotions. Just like the nature is made of five elements similarly humans are also made up of these elements and indian classical music is also consisted in the same manner. The video describes the skills required for Indian Classical Music and also the positives and challenges one has to face if they go further ahead in Indian Classical Music.

"I was born and brought up in Varanasi. I received my initial musical training from my grandfather's brother, Bade Ram Das Ji Misra, and also their father, Hanuman Prasad Misra, and from their uncle, sarangi virtuoso, Gopal Prasad Misra, and started performing while I was still in teens. I moved to Ramesh Nagar in Delhi, in 1977, gave my first concert abroad, in Sri lanka in 1978, and soon went on to perform in many countries across the world including, Germany, France, Switzerland, Austria, USA, UK, The Netherlands, USSR, Singapore, Qatar, Bangladesh and Muscat."

Professional Singing

Swati Singh
Singer | Womania Band

[ 31 years Experience ]

Professional singers perform songs in front of live audiences and record music in recording studios

"I have been practicing singing since childhood and after working in school and banking field, I have started music institute called Saptak Institute of Performing Arts and also managing Womenia band."

Professional Singing

Vivek Badoni
Singer | Independent Practice

[ 6 years & 11 months Experience ]

Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist.

"After doing my B Tech from Tulas Institute Dehradun, I worked with HCL and did freelancing as a Web Designer in various assignments. I was always inclined towards music and joined Bhairavas, a Musical Band in 2012. I am also working on a project titled Maathu Re Dreamhouse which is an Urban Folk Independent Music initiative."

Folk Singing

Harsh Sharma
Singer | Various Stage Shows

[ 4 years & 3 months Experience ]

Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. India has a very rich tradition of folk music. The extreme cultural diversity creates endless varieties of folk styles. Each region has its own particular style.

"I did my schooling from KK International School and Bachelors in Arts from MM Modi College, Patiala. I have been involved in different singing assignments since 2015."

Singing

Kapil Verma
Solo Performer | Lodhi Hotel New Delhi

[ 6 years & 4 months Experience ]

Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist.

"After completing my schooling from Guru Nanak School, I did B A from DAV College, Dehradun. I am a Vocalist at Rubab Band, and also working with Lodhi Hotel in Delhi as a Solo Performer."

Professional Singing

Neeta Pandey Negi
Singer | Roohani Sisters

[ 5 years & 8 months Experience ]

Professional singers usually build their careers around one specific musical genre, such as classical or rock, although there are singers with crossover success (singing in more than one genre). They typically take voice training provided by voice teachers or vocal coaches throughout their careers.

"After completing my BA and MA in music from Miranda House, Delhi, I did M Phil and Ph D from music department of Delhi University. I have done music training from Kirana Gharana by Charanjeet Soni Ji and Ustad Iqbaal Ahmed Khan Saheb (Dilli Gharana). I have attended various National and International reality shows and since 2008, I am associated with my Band called Roohani Sisters which is a Sufi Jugalbandi Band and was empanelled by ICCR IN 2009."

Professional Singing

Shekinah Mukhiya
Singer | Various Stage Shows

[ 4 years Experience ]

Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist.

"I am a student of Colonel Brown School, Dehradun. I came into the spotlight after making it to the top ten of Voice of India Kids - the children's music reality show. I also perform at various stage shows with my father and actively take part in singing competitions."

Hindustani Classical Music

Himanshu Darmora
Classical Vocalist | Various Creative Assignments

[ 15 years Experience ]

Hindustani Classical Music is the traditional music of northern areas of the Indian subcontinent, including the modern states of India, Nepal, Bangladesh and Pakistan. Its main instruments are tabla, sitar, sarod, flute and modern guitars. Hindustani (north Indian) Classical Music can be divided into melody, rhythm and harmony.

"After doing my BA in Mass Comm & Journalism from IIMC Delhi, I did MA in Hindustani Vocal from Khairagarh University and then M Phil in Hindustani Music from Himachal University. I am also a Prabhakar in Classical Music from Allahabad University. I am a visiting faculty to RIMC, CJM, Shri Ram College of Commerce and many more. I also organise various musicial shows including Abhivyakti SAPA (Society for Advancement of performing Arts)."

Folk Singing

Geeta Ram Kanswal
Singer | Various Creative Assignments

[ 4 years Experience ]

Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. India has a very rich traditional Folk Music. The extreme cultural diversity creates endless varieties of folk styles. Each region has its own particular style.

"I have done B Sc from DAV PG College. I developed a keen interest in Folk Music in my childhood which encouraged me to take up singing at a very young age. I have sung 70-80 songs till date, the latest song Meri Reshma Chori Suniyal being a hit. I sing Garhwali songs."

Singing

Jaspal Rana
Singer | Various Assignments

[ 21 years Experience ]

Make musical sounds with the voice, especially words with a set tune.

"I did my Schooling from Garhwal. I only did my education till 7th class. I have written several songs for Garhwali Movies and Albums. I have also worked as a singer in Song and Drama Division for 4 years. I have performed with various prominent artists."

Professional Singing

Suraj Bhandari
Singer | Various Singing Assignments

[ 4 years & 7 months Experience ]

Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist.

"I am trained in Indian Classical Music from Saptak College of Performing Arts. I also teach music at the same institute. I sing at various stage shows."

Live Singing

Khek Ram
Singer | Various Music Assignments

[ 3 years Experience ]

On a night when a performer isn't feeling well or during sections of a concert that are physically taxing, a singer can rely on what's called guide vocals. At predetermined moments, an engineer controlling the concert's audio can smoothly mix down the artist's live singing and mix up a prerecorded vocal performance.

"I did my Schooling from Manali. After that did a computer course from Delhi and Ghaziabad. I worked with a Travel and tourism line for 3 to 4 years. I then shifted back to Manali and started live singing there."

Devotional Singing

Mukta
Singer & Co-ordinator | Awaken Love Band

[ 5 years Experience ]

Devotional singing is singing that originates in the heart. It is the expression of the joyous thrill that wells up from the heart when the Glory of God is remembered. It is the spontaneous manifestation of inner ecstasy.

"I have a Bachelors in Naturopathy. I have also completed a course in Yoga Teacher Training. I met Prem Baba in 2013 and found my calling in music. Ever since, I have been working with Prem Baba in Awaken Love Movement. I am a Singer and Co-ordinator with Awaken Love Band."